Following that minor postmodern masterpiece, he and screenwriter Charlie Kaufman continued their journey into solipsism with the hilariously unhinged Adaptation. Spike Jonze’s colossal talent was far too great to remain trapped in MTV’s orbit that became immediately clear when his breakout feature-length debut, Being John Malkovich, earned him an Oscar nod for Best Director. Stars: Joaquin Phoenix, Scarlett Johansson, Olivia Wilde, Amy Adams, Rooney Mara But what’s unfathomable about it is also what makes it so powerful. From the outside, it makes no sense that Reynolds and Alma would have this sort of connection with each other it’s difficult to tell what either person is getting out of it.
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My colleague Tim Grierson said this first, but it’s too good an observation to ignore: This movie is in large part about the absolute unknowability of other people’s relationships. It’s the oddest little love story, so odd that I’m not even sure it’s about love at all. Both of the principals of Phantom Thread are absurd and insane in their own ways, and one of the many thrills of the film is watching them bounce off each other, and then collide again. Almost everything that doesn’t meet his exacting standards is vulgarian, until one day while in the English countryside, Reynolds comes across a waitress named Alma (Vicky Krieps) who both meets Reynolds’ physical requirements (specifically so he can make dresses for her) and has a certain pluck that he instantly finds fascinating. Daniel Day-Lewis plays Reynolds Woodcock, a world-famous dressmaker who clothes celebrities, royalty and, sometimes to his chagrin, déclassé wealthy vulgarians. This is an uncompromising movie about two uncompromising people who try to live with one another without losing too large a part of themselves, and the sometimes extreme lengths they will go to get their way.
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This has to be the most luscious-to-watch film, ever, that is in large part about how self-centered and inflexible the world of relationships can be, how we can only give up so much of ourselves and it’s up to our partner to figure out how to deal with that, if they want to at all.
Phantom Thread is a movie that is so wonderfully made, so meticulous in its construction, so deeply felt in execution, that you can almost overlook how prickly and scabrous it is. Stars: Daniel Day-Lewis, Lesley Manville, Vicky Krieps The DIY indie grainy black-and-white cinematography boosts the film’s in-your-face realism. What’s refreshing about the film is that Lee always brings up the possibility that “none of the above” is a perfectly viable answer for both Nola and for single women-a game changer in 1986. Stars: Tracy Camila Johns, Spike Lee, John Canada Terrell, Tommy Redmond HicksĪn explosively frank feature debut that immediately announced Lee’s brave, fresh new voice in American cinema, She’s Gotta Have It, shot like a documentary, is a levelheaded exploration of a young black woman named Nola (Tracy Camilla Johns) trying to decide between her three male lovers, while also flirting with her apparent bisexuality, in order to, first and foremost, figure out what makes her happy. Here are the 40 best romantic movies streaming on Netflix: We’ve dug through all 649 of the romantic movies on Netflix to find the best, including rom-com classics, tear-jerkers, Netflix originals, Bollywood romances, LGBTQ+ love stories and more. There are few things more hard-wired in all of us than the desire to find a soulmate, and few more common motivating principles in movies.
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